FEET IN WATER, HEAD ON FIRE
Feature Documentrary | 90 Min | 16mm - DCP dir. Terra Long | Co-Editor | Along the San Andreas fault line in Southern California, Indigenous palm trees and date palms imported from the Middle East flourish. The people who tend to them reflect a landscape of frictions and affections shaped over generations by agriculture, luxury real estate, and border politics. Like the infinity storytelling of The 1001 Nights, stories fold into dreams and back into stories, a constellation of voices settle over mountains and into the earth. Intertwining color 16mm with textural black and white film hand processed with the dates leftover from harvest and plants native to the valley Feet in Water, Head on Fire is a sensory, polyvocal evocation of place. Premiere: True/False Film Festival. Screenings: MoMI First Look, Hot Docs, DOXA, DokuFest, Black Canvas Film Festival, Dok Leipzig, Unorthodocs Wexner Center, IDFA.
CELESTIAL QUEER: THE LIFE, WORK AND WONDER OF JAMES MACSWAIN
Feature Documentary | 72 mins | dir. Sue Johnson, Eryn Foster | Premiere: Atlantic International Film Festival, 2023.
THE WORK
Feature Documentary | 92 mins | 2022 | dir. Daniel MacIvor | Picture Editor, Producer
Part theatrical adaptation, part road trip The Work elasticizes time and truth to delve into the nature of storytelling, depression and grief, finally emerging as a tender portrait of a unique friendship. Premiere: FIN Atlantic International Film Festival, September 2022.
SIGNAL AND NOISE
Documentary Short | 13 mins | 2022 | dir. Katie Mathews and Jess Shane | Produced in collaboration with Mansoor Adayfi | Picture Editor
What are the sounds of Guantánamo Bay Detention Center? In 2015, poet Jordan Scott set out to record the ambient sounds of the prison as a means of bypassing its strict media censorship rules. Today, former detainee, Mansoor Adayfi, recalls how sound shaped his experiences there— both of torture and of hope. The year of the 20th anniversary of the prison, Scott’s field recordings and Adayfi’s memories come together to create a visceral new landscape of this notoriously secret place. Premiere: Prismatic Ground Film Festival. Screenings: Mimesis Film Festival, Third Horizon Film Festival, Nashville Film Festival, Hot Springs Film Festival, Antimatter Film Festival, New Orleans Film Festival
OPEN WATER
Documentary Short | 19 mins | 2020 | Picture and Sound Editor | dir. Kalli Anderson
Open Water is a film about what it feels like to swim across the largest freshwater lake in the world. It follows Marilyn Korzekwa, a 61-year-old open-water swimmer, as she attempts to be the first person ever to complete a crossing of the eastern end of Lake Superior, from Michigan, USA to Ontario, Canada.
DAVID HARVEY AND THE CITY
Documentary Short | 2019 | 12:36 | dir. Brett Story
An Antipode Foundation film | Cinematography by Martin DiCicco and Derek Howard | Edited by Kaija Siirala and Brett Story |Sound by Jeff Burke and Pacho Velez |Additional interviews Samuel Stein and Sarah Friedland | Music by Sauna Music
WE BECAME FRAGMENTS
Documentary Short | 2018 | 12:37 | dir. Luisa Conlon, Lacy Jane Roberts, Hanna Miller
A New York Times Op-Doc about a young Syrian refugee coming of age in Winnipeg. Official Selection: Camden International Film Festival, DOC NYC, SFFilm Doc Stories. 2018 IDA Awards nominee. Winner Best Documentary - LA Shorts International Film Festival.
BIRD CITY LIGHTS
Documentary Short | 2017 | 16:57 | dir. Zachary Finkelstein and Kalli Anderson
An estimated one million migratory birds slam into Toronto’s glass buildings every year. Bird City Lights follows a day in the life of a bird rescuer as she scours the sidewalks, nooks and crannies of the financial district for fallen birds in the early hours of the morning.
THE JAZZ LOFT ACCORDING TO W. EUGENE SMITH
Documentary Feature | 2017 | 87 mins | dir. Sarah Fishko | Assistant Editor
Art, obsession and anxiety permeate a dilapidated Manhattan loft building in Mid-century: The first movie to use photographer W. Eugene Smith's massive, fly-on-the-wall archive of photos and audio tapes documenting the likes of jazz greats Thelonious Monk, Zoot Sims, Jimmy Giuffre, Hall Overton and others at work and play in the Sixth Avenue wreck that was Smith's home and studio from 1957 through the '60s.